Berlioz Les Troyens from LSO Live

Berlioz Les Troyens from LSO Live
Berlioz Les Troyens from LSO Live (click images to enlarge)

Berlioz Les Troyens from LSO Live

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Description of Berlioz Les Troyens from LSO Live

We are proud to stock the brilliant Berlioz Les Troyens.

With so many available recently, it is great to have a make you can recognise. The Berlioz Les Troyens is certainly that and will be a great buy.

For this reduced price, the Berlioz Les Troyens is widely respected and is a popular choice with lots of people. LSO Live have included some excellent touches and this results in good value for money.

Manufacturer Description

Format: Music CD, LSO Live Records. Classical music CD release from Sir Colin Davis with the album Berlioz Odyssey: Les Troyens. Released on the label LSO Live Records. Classical music CD. This hard to find pre-owned music CD is fully guaranteed. This is a four CD set.

The epic tale of the fall of Troy haunted Berlioz from childhood and inspired some of his most passionately dramatic, richly colourful music. This is Colin Davis's second recording of Les Troyens, following his 1969 version. Magnificent though it was, some reckoned that reading lacked something in zip, but such reservations could never, ever apply here. Recorded across several lavishly praised concert performances in London in December 2000, this Troyens has an extraordinary electricity and rhythmic drive. Ben Heppner combines lyricism with heroic strength as Aeneas; Michelle de Young as Dido, though not erasing memories of Janet Baker' s brilliance in the role, produces a ravishing, creamy sound. Both perhaps lack the last ounce of character (and their French is occasionally flat-vowelled). Petra Lang as Cassandra is attention-grabbing from the start of the opera with her panache and commitment. Also catching the ear are Stephen Milling's granite-like Narbal and Sara Mingardo's bewitching Anna. The LSO gives its magnificent all, and the London Symphony Chorus is likewise in terrific form, although some will miss the clear-cut timbre of a fully-fledged opera chorus. The ultimate stars, though, are Berlioz and his faithful champion Davis. --Andrew Green